Cubism: a different way of seeing

Multiple-choice exercise

Read the passage before you begin.There is only one correct answer for each question. Close this window to return to the main page.

Cubism: a different way of seeing

braque_clarinet_rum.jpg
Cubism changed the way we see the world. It was one of the major influences on twentieth century Western art, developing from a collaboration between two painters - the Spaniard Pablo Picasso and the Frenchman Georges Braque - in Paris, and lasting only from 1907 to 1914.

Cubism rejected the idea that art should imitate nature. Cubist painters emphasized the flat, two-dimensional surface of the picture plane by abandoning the traditional conventions of perspective, foreshortening, modelling, and chiaroscuro (the use of light and dark).

The origin of the name Cubism is disputed: it is sometimes attributed to an ill-tempered outburst of Matisse against Braque's work, and sometimes to the art critic Louis de Vauxcelles describing one of Braque's paintings as reducing everything to cubes.

Early Cubism was influenced by Paul Cézanne because of his preoccupation with analysing shape and form in his paintings. But Cubist artists like Picasso, Braque and Juan Gris took these ideas further, presenting a different view of reality. In an effort to represent the whole object and its position in space they painted fragmented objects, seen from several different viewpoints simultaneously. Analytical Cubism was the second phase of the movement, which concentrated on geometrical forms and used subdued colours. The final phase, known as Synthetic Cubism, used more decorative shapes, stencilling, collage, and brighter colours.