The Fauves

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donatello_beasts.jpgThe beginning of in art is often attributed to the in Paris in when a small group of painters, exhibiting together in Room 7, showed work with a completely new style and concept. The art critic Louis Vauxcelles, on seeing a sculpture of a boy among these new paintings, is said to have commented, "C'est dans la cage aux !" - "It's Donatello [i.e. a classical sculptor] in the middle of the wild beasts' cage!". The name 'Fauves' caught on, becoming a term of - although it had not been intended as such - and the that followed made the artists famous.

Among the original Fauves were Henri (1869 - 1954), Maurice de (1876 - 1958) and André Derain (1880 - 1954). One of their assistants was Dufy (1877 - 1953), who also became closely associated with Fauvism. The movement, though , was short-lived and only a stage for many of the artists involved. By 1908 they were experimenting with other styles and forms such as , although Matisse continued to pursue the of the movement he had originated throughout his long life.

Unlike the who wanted to imitate the effects of by using colour, the Fauves aimed to light through their use of colour. For them the subject of painting, whether , portrait or , was always colour itself, and the depiction of was secondary to the formal issues being explored. In this non-objective art detail was , nature was simplified and , and was used for its own sake. Matisse explained, "When I use a green it is not grass. When I use a blue it is not sky".

Fauve artists with the relationship of colours to each other, applying , unblended colour straight from the so that colour mixing was achieved by the of the viewer and not on the . Since they used colour with no tonal to create an illusion of three dimensions, there was a resultant emphasis on , pattern and surface. Colour structured the and generated and movement. Colour was by the of complementaries like red/, /orange, yellow/, which seem to when placed together.